sábado, 28 de septiembre de 2013

Visita al Museo de la Cultura Maya con goteras incluidas

 El servicio en un Museo, debe ser impecable, aquí un artículo en el cual se muestra lo contrario, ojalá esto abra los ojos de las personas responsables y los impuestos del pueblo mal invertidos no solo se dan en este pequeño caso, claro esta.

La humedad producto de las recientes lluvias provocaron que los plafones del techo se desplomaran en el recinto.


 Foto:Harold Alcocer/SIPSE

Encharcamientos y pedazos de plafón son visibles en la entrada principal


CHETUMAL, Q. Roo.- La humedad producto de las recientes lluvias provocaron que los plafones del techo se desplomaran en el acceso principal del Museo de la Cultura Maya en Chetumal.
 
La secretaria del recinto, quien se negó a proporcionar su nombre, informó que pese al incidente el museo sigue funcionando de martes a domingo de 09 a 19 horas.
El Museo de la Cultura Maya presenta actualmente cuatro exposiciones en igual número de salas abiertas al público en general, además de una exposición fotográfica de sitios arqueológicos del estado en el pasillo principal, informó personal del complejo.

No obstante, la primera impresión para quienes visitan el museo es poco grata, toda vez que son visibles los encharcamientos y los pedazos de plafón en la entrada principal.
En marzo de 2012 se realizaron trabajos de remozamiento y la modernización del complejo cultural, que también incluyeron la instalación de computadoras con software de alta tecnología, cuya inversión fue de tres millones 840 mil pesos; la dependencia pudiera fincar responsabilidad al contratista por probables vicios ocultos.


Fuente: Claudia Martín/SIPSE

sábado, 24 de agosto de 2013

Prohíben en Honduras escultura maya del Dios del Maíz por “Diabólica”



El alcalde de Danlí, José Urrutia, prohibió la colocación en el parque de esa ciudad hondureña de una escultura del Dios del Maíz (Yum Kaax), uno de los dioses de la cultura maya, por considerarla una “figura diabólica”.
 
El artista Johnny Mac Donald dijo a Notimex que fue contratado por el Fondo Hondureño de Inversión Social (FHIS) para hacer una escultura de Yum Kaax que sería instalada en el parque de Danlí durante la celebración del primer Festival Internacional del Maíz.

Las celebraciones en Danlí, un lugar paradisiaco ubicado en el departamento de El Paraíso a 98 kilómetros de Tegucigalpa y cuyo nombre deriva de la voz mexicana “Talli” o “Xalli” que significa “agua que corre por un lecho de arena”, comenzaron el viernes y habrá diferentes actividades hasta el domingo 31 de agosto.

El monumento es de metal y mide dos metros 80 centímetros y hecho de tornillos, tuercas y otras piezas que dan vida a un joven con mazorcas de maíz sobre la cabeza, que era para los mayas la abundancia en la agricultura.

“Sorpresivamente las autoridades municipales de Danlí tildan a nuestros ancestros de satánicos, mientras en otros países como Guatemala o México hay orgullo por el arte, su cultura, pero para Honduras ésto es retroceso”, señaló Mac Donald.

Añadió que el maíz, al igual que en México, es la dieta diaria de los pueblos centroamericanos, del cual se hacen tortillas, tamales, tacos, sopas, atole, chicha (cerveza indígena) y rosquillas, entre otras delicias culinarias.

“Creo que la actitud de este alcalde esta vinculada con ser miembro de una congregación evangélica, que rechaza la cultura maya, porque para ellos sólo hay un Dios, y por ello el cree que vive en la edad media y no en el siglo XXI”, señaló el artista.

Mac Donald, de 36 años, recibió a los 11 años por ser considerado un “niño prodigio” la “Hoja de Liquidambar”, máxima presea que otorga periódicamente la Alcaldía de Tegucigalpa a personas que destacan en el arte y otras ramas.

A sus 13 años, siendo estudiante de la Escuela Nacional de Bellas Artes, representó a Honduras en la Cuarta Asamblea General de Niños Bandera de la Paz, que se celebró en Sofía, Bulgaria.
Su arte está al servicio de los derechos humanos como escultor y pintor de monumentos de organizaciones como el Comité de Familiares y Desaparecidos (COFADEH).

Para el COFADEH ha pintado murales y ha tallado esculturas de los dirigentes populares, alrededor de 184 que fueron secuestrados y desaparecidos en este país en los años 1980.
Este artista es considerado el pionero del arte público porque sus esculturas están diseminadas en diversos parques de las ciudades del país.

En Tegucigalpa destaca una de metal dedicada a las barrenderas que limpian desde tempranas horas de la mañana las calles de la capital, devengando apenas 100 dólares mensuales.


Fuente: Notimex

miércoles, 7 de agosto de 2013

Giant Maya Carvings Found in Guatemala


Photograph courtesy Alexandre Tokovinine, CMHI/Harvard/Proyecto Aqueologico Holmul

Local King?

This photo mosaic of the recently unearthed Maya frieze in the city of Holmul was digitally stitched together from hundreds of high-resolution photos by team member Alexandre Tokovinine, a Maya epigrapher at Harvard University.


The frieze depicts three human figures wearing elaborate bird headdresses and jade jewelry. They are seated cross-legged over the head of a Maya mountain spirit. A cartouche on their headdresses identifies each of them by name. The central figure's name is the only readable one: Och Chan Yopaat, meaning "the storm god enters the sky."


Estrada-Belli and his team speculate that Och Chan Yopaat may have been the leader that the Naranjo king, Ajwosaj, established as the ruler of Holmul after wresting the city back from the Tikal dynasty.

Stuart, of the University of Texas, said he agreed with this interpretation. "This frieze features a ruler we've never seen before in the historical records," he said. "He's the one portrayed in the center, and it's reasonable to guess he was a local ruler of Holmul, and an ally with the more powerful kingdom of Naranjo to the south, which in turn had its political connections to the [Kaanul kingdom]."



Photograph courtesy Francisco Estrada-Belli

Royal Emblem

This close-up view shows a large hieroglyphic emblem that decorates the side of the building where the Maya frieze was discovered.

The emblem identifies the building as a royal lineage house that was probably dedicated to local rulers who were worshipped in the city as gods, Estrada-Belli explained.




 Photograph courtesy Francisco Estrada-Belli


Ritual Inscription

A detail of the section of the inscription that runs along the base of the frieze is shown in this photograph.
The message includes an unusual Maya verb that means "he put in order," followed by the name of an obscure deity that Estrada-Belli and his team speculate was a local patron god associated with the Kaanul dynasty.

"This inscription tells us that there were a number of rituals involved in reestablishing the [Kaanul-affiliated dynasty in Holmul]," Estrada-Belli said.
"The verb 'to put in order' seems to indicate that a number of gods, and especially local patron gods, were reestablished after previously being deposed by [the Tikal] dynasty."

It wasn't uncommon for Maya city-states to "capture" the local gods of those they conquered, explained Tulane University's Canuto.
It was a way of saying, "I hold your patron deity in my hand, so you do what I say."



 Photograph courtesy Francisco Estrada-Belli

Sacred Offering

 An ancestral deity holds a sign in both hands that reads naaah waaj, or "first tamale"—a reference to a sacred food offering—in this view of the south side of the frieze.

Visible behind him is the head of a large feathered serpent. Scrolls on the body of the serpent identify it as a sacred spirit emanating from the mouth of the mountain, the birthplace of the ancestral figures of the Homul dynasty, Estrada-Belli explained.



 Photograph courtesy Jesus Lopez

Ancient Burial

Estrada-Belli carefully brushes debris from an adult male skeleton of a member of the ruling class of Holmul. The body was buried in a tomb beneath the steps leading to the building that contained the frieze.


The Maya routinely built newer structures upon the remains of older ones, both as a way to save time—since the foundations were already in place—and to preserve a sense of continuity of purpose, Canuto explained.


"Buildings were places where things happened—where people were buried and rituals were conducted—so they gained a sense of sacredness that was special and had to be preserved," he said. "So subsequent buildings might have been later expressions of those same rituals."
The skeleton and his associated ceramic offering were preserved by large limestone slabs that kept the tomb free of debris. His incisor and canine teeth had been drilled and filled with jade beads. The decayed remains of a wooden mask were found on his chest.

"While we can't be certain of the identity of this individual, the frieze and inscription provide many possible names and a ton of historical information associated with him," Estrada-Belli said.




 Photograph courtesy Francisco Estrada-Belli

Big Discovery

 Archaeologist Anya Shetler cleans an inscription below an ancient stucco frieze recently unearthed in the buried Maya city of Holmul in the Peten region of Guatemala. Sunlight from a tunnel entrance highlights the carved legs of a ruler sitting atop the head of a Maya mountain spirit.

The enormous frieze—which measures 26 feet by nearly 7 feet (8 meters by 2 meters)—depicts human figures in a mythological setting, suggesting these may be deified rulers. It was discovered in July in the buried foundations of a rectangular pyramid in Holmul.


Maya archaeologist Francisco Estrada-Belli and his team were excavating a tunnel left open by looters when they happened upon the frieze. "The looters had come close to it, but they hadn't seen it," Estrada-Belli said.
According to Estrada-Belli, the frieze is one of the best preserved examples of its kind. "It's 95 percent preserved. There's only one corner that's not well preserved because it's too close to the surface, but the rest of it isn't missing any parts," said Estrada-Belli, who is affiliated with Tulane University, Boston University, and the American Museum of Natural History and who is also a National Geographic Explorer. His excavations at Holmul were supported by the National Geographic Society/Waitt Grants Program.

Maya archaeologist Marcello Canuto agreed, calling the frieze "amazingly and beautifully preserved."
"We often dream of finding things this well preserved, and Francisco did it," said Canuto, who is the director of the Middle American Research Institute at Tulane University in New Orleans; he was not involved in the project.

For example, despite being mostly faded away now, traces of red, blue, green, and yellow paint are still visible on the frieze.

"It gives you an idea of how intricate and ornate these sites that we are excavating must have been during their apogee," Canuto said. "These sites must have been a feast for the eyes when they were inhabited."

David Stuart, a Maya hieroglyph expert at the University of Texas at Austin, pointed out that archaeologists think most large Maya temples were probably decorated with similar sorts of designs.

"But not all temples were so carefully buried and preserved like this," said Stuart, who did not participate in the project. "Also, each temple facade was slightly different and therefore unique in terms of its detail and message." (Explore an interactive map of key Maya sites .)


Caught Between Two Great Powers

The section of the temple at Holmul where the frieze was found dates back to about A.D. 590, which corresponds to the Maya classical era, a period defined by the power struggles between two major Maya dynasties: Tikal and Kaanul.

The two kingdoms competed with one another for resources and for control of other, smaller Maya city-states. Until now, however, it had been unclear which dynasty Holmul owed its allegiance to, but an inscription on the newly discovered frieze reveals that the temple was commissioned by Ajwosaj, ruler of a neighboring city-state called Naranjo, which archaeologists know from other discoveries was a vassal city of the Kaanul kingdom.

"We now know that Holmul was under the influence of the Kaanul dynasty," Canuto said.
In 2012, Canuto's team found and deciphered a series of hieroglyphically inscribed panels at another Maya city of a similar size to Holmul, called La Corona, which was also under the patronage of the Kaanul kingdom.

Recent discoveries at sites like La Corona and Holmul are helping reveal how these sites, despite being relatively small compared with some of their neighbors, were important players on the region's larger geopolitical stage.


"We're now beginning to appreciate how all these hierarchical levels of sites were involved in a larger political game that put them on [the side of either Tikal or Kaanul]," Canuto explained. (See "Why the Maya Fell.")

All About Location

Why was Holmul—a minor city that was home to only 10,000 to 20,000 people—so important to the Tikal and Kaanul dynasties?
Previous work by Estrada-Belli suggests Holmul occupied a strategic position for both kingdoms. The city lay along the best east-west route between the Tikal dynasty's capital city, also called Tikal, and the coast. It also lay along a north-south route between the Kaanul capital city of Dzibanche and the Guatemalan highlands that did not pass through Tikal territory.
The Guatemalan highlands contained precious resources such as basalt, obsidian, and jade that were coveted by both kingdoms.

"A [Maya] king without jade was no king at all," Canuto said.
By controlling Holmul in the east and La Corona in the west, the Kaanul dynasty was able to effectively access these riches without going through the capital city of its rival.


Staying Put for Now

The frieze still lies buried in Holmul where it was initially discovered because it is too big to move, said lead archaeologist Estrada-Belli.
"We're going to try to preserve it and create a stable environment around it so people can eventually visit it," he said.

"We're very concerned about its present condition, so we had to re-bury the entrance tunnel to keep the humidity and climate around it stable."
The find is exciting readers around the web. @JalilCan tweeted, "I keep seeing "Ancient Maya Carvings found..." these Archaeologists NEED TO LEAVE STUFF FOR PEOPLE LIKE ME TO FIND."
Other tweeters talked up the struggle between Maya powers hinted at in the frieze, while others remarked at how the carvings used to be brightly colored.

—Ker Than

 Source: National Geographic


 


jueves, 25 de julio de 2013

The Penn Museum expands digital access to its collections and research projects


                Maya Chama Cup, Guatemala, from The Maya Vase Conservation Project (Lynn A. Grant, 2006).

PHILADELPHIA, PA.- As a repository of wide-ranging, international collections, original field notes and archival data from roughly 300 archaeological and anthropological expeditions around the world, the Penn Museum in Philadelphia is committed to open, global, digital access for scholars and the public. In 2012, celebrating the Museum's 125th anniversary, the Penn Museum launched two online projects to expand access to its collections and share information about its research history: the online Collections Database and interactive Research Map and Timeline. While those projects continue to grow, the Museum has partnered with Digital Antiquity to further expand research data access to scholars.
Increased Data, Accessibility on www.penn.museum
Launched in January 2012, the online Collections Database has gradually expanded over the past 18 months with a wealth of additional content. It now contains more than 332,851 object records representing 692,850 objects, and more than 90,000 images illustrating 34,067 object records. In addition to the growth in available data, the functionality of the online interface has also been improved, allowing more refined searching and browsing of the Museum’s collections, and—new this month—the ability for online visitors to download the Museum’s collections metadata to sort, study, and use it to suit their own research interests under a CC BY 3.0 Creative Commons license.

Launched in December 2012, the interactive Research Map and Timeline highlights many of the Museum's research projects since its founding in 1887. Initially, showcasing 125 projects (commemorating the Museum’s 125th anniversary on December 6, 2012), the interactive website has now grown to include 267 research projects.

New Partnership with Digital Antiquity Expands Scholarly Access
Finally, in another recent expansion of scholarly access, the Penn Museum has partnered with Digital Antiquity—a collaborative non-profit organization devoted to enhancing preservation of and access to irreplaceable archaeological records and data—to provide free, open access to supplementary material from 19 books previously published by the Museum since 2000. This supplementary material—archaeological data sets, color images, and original field reports from scholarly expeditions—is now available online at tDAR—The Digital Archaeological Record—a unique digital repository for archaeological data. Previously provided on CDs or DVDs in the back of the Museum’s research publications, these supplementary materials are now available for download free of charge by registered tDAR users. Since tDAR’s content is indexed by major search engines, this collaboration exposes the Museum’s published digital content to searchers who may otherwise be unaware of these books and their associated digital media. The books themselves are available for purchase at the University of Pennsylvania Press (Penn Press) website. Supplementary materials are currently available for the following books:

Asia & the Pacific
•Ban Chiang, a Prehistoric Village Site in Northeast Thailand, Volume 1: The Human Skeletal Remain
•Mapping Mongolia: Situating Mongolia in the World from Geologic Time to the Present
•Santa Cruz Island Figure Sculpture and Its Social and Ritual Contexts

Middle East/Eurasia
•Botanical Aspects of Environment and Economy at Gordion, Turkey

•Exploring Iran: The Photography of Erich F. Schmidt, 1930-1940

•Gordion Seals and Sealings Individuals and Society

•Prehistoric Hunter-Gatherers of the Baikal Region, Siberia Bioarchaeological Studies of Past Life Ways

•Peoples and Crafts in Period IVB at Hasanlu, Iran

Mesoamerica
•Tikal Report 11: Map of the Ruins of Tikal, El Petén, Guatemala and Georeferenced Versions of the Maps Therein

•The Artifacts of Tikal—Ornamental and Ceremonial Artifacts and Unworked Material Tikal, Report 27A

•The Artifacts of Tikal—Utilitarian Artifacts and Unworked Material Tikal Report 27B
•The Maya Vase Conservation Project

•Settlement Archaeology at Quiriguá, Guatemala

•Tikal Report 34, Part A: Additions and Alterations: A Commentary on the Architecture of the North Acropolis, Tikal, Guatemala

•Tikal Report 37: Historical Archaeology at Tikal, Guatemala

Europe
•Dún Ailinne: Excavations at an Irish Royal Site, 1968-1975

•Etruscan Myth, Sacred History, and Legend

•Reports on the Vrokastro Area, Eastern Crete, Volume 2: The Settlement History of the Vrokastro Area and Related Studies

•Reports on the Vrokastro Area, Eastern Crete, Volume 3 The Vrokastro Regional Survey Project, Sites and Pottery 




Source: artdaily.org
PHILADELPHIA, PA.- As a repository of wide-ranging, international collections, original field notes and archival data from roughly 300 archaeological and anthropological expeditions around the world, the Penn Museum in Philadelphia is committed to open, global, digital access for scholars and the public. In 2012, celebrating the Museum's 125th anniversary, the Penn Museum launched two online projects to expand access to its collections and share information about its research history: the online Collections Database and interactive Research Map and Timeline. While those projects continue to grow, the Museum has partnered with Digital Antiquity to further expand research data access to scholars. Increased Data, Accessibility on www.penn.museum Launched in January 2012, the online Collections Database has gradually expanded over the past 18 months with a wealth of additional content. It now contains more than 332,851 object records representing 692,850 objects, and more than 90,000 images illustrating 34,067 object records. In addition to the growth in available data, the functionality of the online interface has also been improved, allowing more refined searching and browsing of the Museum’s collections, and—new this month—the ability for online visitors to download the Museum’s collections metadata to sort, study, and use it to suit their own research interests under a CC BY 3.0 Creative Commons license. Launched in December 2012, the interactive Research Map and Timeline highlights many of the Museum's research projects since its founding in 1887. Initially, showcasing 125 projects (commemorating the Museum’s 125th anniversary on December 6, 2012), the interactive website has now grown to include 267 research projects. New Partnership with Digital Antiquity Expands Scholarly Access Finally, in another recent expansion of scholarly access, the Penn Museum has partnered with Digital Antiquity—a collaborative non-profit organization devoted to enhancing preservation of and access to irreplaceable archaeological records and data—to provide free, open access to supplementary material from 19 books previously published by the Museum since 2000. This supplementary material—archaeological data sets, color images, and original field reports from scholarly expeditions—is now available online at tDAR—The Digital Archaeological Record—a unique digital repository for archaeological data. Previously provided on CDs or DVDs in the back of the Museum’s research publications, these supplementary materials are now available for download free of charge by registered tDAR users. Since tDAR’s content is indexed by major search engines, this collaboration exposes the Museum’s published digital content to searchers who may otherwise be unaware of these books and their associated digital media. The books themselves are available for purchase at the University of Pennsylvania Press (Penn Press) website. Supplementary materials are currently available for the following books: Asia & the Pacific •Ban Chiang, a Prehistoric Village Site in Northeast Thailand, Volume 1: The Human Skeletal Remains •Mapping Mongolia: Situating Mongolia in the World from Geologic Time to the Present •Santa Cruz Island Figure Sculpture and Its Social and Ritual Contexts Middle East/Eurasia •Botanical Aspects of Environment and Economy at Gordion, Turkey •Exploring Iran: The Photography of Erich F. Schmidt, 1930-1940 •Gordion Seals and Sealings Individuals and Society •Prehistoric Hunter-Gatherers of the Baikal Region, Siberia Bioarchaeological Studies of Past Life Ways •Peoples and Crafts in Period IVB at Hasanlu, Iran Mesoamerica •Tikal Report 11: Map of the Ruins of Tikal, El Petén, Guatemala and Georeferenced Versions of the Maps Therein •The Artifacts of Tikal—Ornamental and Ceremonial Artifacts and Unworked Material Tikal, Report 27A •The Artifacts of Tikal—Utilitarian Artifacts and Unworked Material Tikal Report 27B •The Maya Vase Conservation Project •Settlement Archaeology at Quiriguá, Guatemala •Tikal Report 34, Part A: Additions and Alterations: A Commentary on the Architecture of the North Acropolis, Tikal, Guatemala •Tikal Report 37: Historical Archaeology at Tikal, Guatemala Europe •Dún Ailinne: Excavations at an Irish Royal Site, 1968-1975 •Etruscan Myth, Sacred History, and Legend •Reports on the Vrokastro Area, Eastern Crete, Volume 2: The Settlement History of the Vrokastro Area and Related Studies •Reports on the Vrokastro Area, Eastern Crete, Volume 3 The Vrokastro Regional Survey Project, Sites and Pottery

More Information: http://artdaily.com/news/63985/The-Penn-Museum-expands-digital-access-to-its-collections-and-research-projects#.UfNY221vaSo[/url]
Copyright © artdaily.org
PHILADELPHIA, PA.- As a repository of wide-ranging, international collections, original field notes and archival data from roughly 300 archaeological and anthropological expeditions around the world, the Penn Museum in Philadelphia is committed to open, global, digital access for scholars and the public. In 2012, celebrating the Museum's 125th anniversary, the Penn Museum launched two online projects to expand access to its collections and share information about its research history: the online Collections Database and interactive Research Map and Timeline. While those projects continue to grow, the Museum has partnered with Digital Antiquity to further expand research data access to scholars. Increased Data, Accessibility on www.penn.museum Launched in January 2012, the online Collections Database has gradually expanded over the past 18 months with a wealth of additional content. It now contains more than 332,851 object records representing 692,850 objects, and more than 90,000 images illustrating 34,067 object records. In addition to the growth in available data, the functionality of the online interface has also been improved, allowing more refined searching and browsing of the Museum’s collections, and—new this month—the ability for online visitors to download the Museum’s collections metadata to sort, study, and use it to suit their own research interests under a CC BY 3.0 Creative Commons license. Launched in December 2012, the interactive Research Map and Timeline highlights many of the Museum's research projects since its founding in 1887. Initially, showcasing 125 projects (commemorating the Museum’s 125th anniversary on December 6, 2012), the interactive website has now grown to include 267 research projects. New Partnership with Digital Antiquity Expands Scholarly Access Finally, in another recent expansion of scholarly access, the Penn Museum has partnered with Digital Antiquity—a collaborative non-profit organization devoted to enhancing preservation of and access to irreplaceable archaeological records and data—to provide free, open access to supplementary material from 19 books previously published by the Museum since 2000. This supplementary material—archaeological data sets, color images, and original field reports from scholarly expeditions—is now available online at tDAR—The Digital Archaeological Record—a unique digital repository for archaeological data. Previously provided on CDs or DVDs in the back of the Museum’s research publications, these supplementary materials are now available for download free of charge by registered tDAR users. Since tDAR’s content is indexed by major search engines, this collaboration exposes the Museum’s published digital content to searchers who may otherwise be unaware of these books and their associated digital media. The books themselves are available for purchase at the University of Pennsylvania Press (Penn Press) website. Supplementary materials are currently available for the following books: Asia & the Pacific •Ban Chiang, a Prehistoric Village Site in Northeast Thailand, Volume 1: The Human Skeletal Remains •Mapping Mongolia: Situating Mongolia in the World from Geologic Time to the Present •Santa Cruz Island Figure Sculpture and Its Social and Ritual Contexts Middle East/Eurasia •Botanical Aspects of Environment and Economy at Gordion, Turkey •Exploring Iran: The Photography of Erich F. Schmidt, 1930-1940 •Gordion Seals and Sealings Individuals and Society •Prehistoric Hunter-Gatherers of the Baikal Region, Siberia Bioarchaeological Studies of Past Life Ways •Peoples and Crafts in Period IVB at Hasanlu, Iran Mesoamerica •Tikal Report 11: Map of the Ruins of Tikal, El Petén, Guatemala and Georeferenced Versions of the Maps Therein •The Artifacts of Tikal—Ornamental and Ceremonial Artifacts and Unworked Material Tikal, Report 27A •The Artifacts of Tikal—Utilitarian Artifacts and Unworked Material Tikal Report 27B •The Maya Vase Conservation Project •Settlement Archaeology at Quiriguá, Guatemala •Tikal Report 34, Part A: Additions and Alterations: A Commentary on the Architecture of the North Acropolis, Tikal, Guatemala •Tikal Report 37: Historical Archaeology at Tikal, Guatemala Europe •Dún Ailinne: Excavations at an Irish Royal Site, 1968-1975 •Etruscan Myth, Sacred History, and Legend •Reports on the Vrokastro Area, Eastern Crete, Volume 2: The Settlement History of the Vrokastro Area and Related Studies •Reports on the Vrokastro Area, Eastern Crete, Volume 3 The Vrokastro Regional Survey Project, Sites and Pottery

More Information: http://artdaily.com/news/63985/The-Penn-Museum-expands-digital-access-to-its-collections-and-research-projects#.UfNY221vaSo[/url]
Copyright © artdaily.org
PHILADELPHIA, PA.- As a repository of wide-ranging, international collections, original field notes and archival data from roughly 300 archaeological and anthropological expeditions around the world, the Penn Museum in Philadelphia is committed to open, global, digital access for scholars and the public. In 2012, celebrating the Museum's 125th anniversary, the Penn Museum launched two online projects to expand access to its collections and share information about its research history: the online Collections Database and interactive Research Map and Timeline. While those projects continue to grow, the Museum has partnered with Digital Antiquity to further expand research data access to scholars. Increased Data, Accessibility on www.penn.museum Launched in January 2012, the online Collections Database has gradually expanded over the past 18 months with a wealth of additional content. It now contains more than 332,851 object records representing 692,850 objects, and more than 90,000 images illustrating 34,067 object records. In addition to the growth in available data, the functionality of the online interface has also been improved, allowing more refined searching and browsing of the Museum’s collections, and—new this month—the ability for online visitors to download the Museum’s collections metadata to sort, study, and use it to suit their own research interests under a CC BY 3.0 Creative Commons license. Launched in December 2012, the interactive Research Map and Timeline highlights many of the Museum's research projects since its founding in 1887. Initially, showcasing 125 projects (commemorating the Museum’s 125th anniversary on December 6, 2012), the interactive website has now grown to include 267 research projects. New Partnership with Digital Antiquity Expands Scholarly Access Finally, in another recent expansion of scholarly access, the Penn Museum has partnered with Digital Antiquity—a collaborative non-profit organization devoted to enhancing preservation of and access to irreplaceable archaeological records and data—to provide free, open access to supplementary material from 19 books previously published by the Museum since 2000. This supplementary material—archaeological data sets, color images, and original field reports from scholarly expeditions—is now available online at tDAR—The Digital Archaeological Record—a unique digital repository for archaeological data. Previously provided on CDs or DVDs in the back of the Museum’s research publications, these supplementary materials are now available for download free of charge by registered tDAR users. Since tDAR’s content is indexed by major search engines, this collaboration exposes the Museum’s published digital content to searchers who may otherwise be unaware of these books and their associated digital media. The books themselves are available for purchase at the University of Pennsylvania Press (Penn Press) website. Supplementary materials are currently available for the following books: Asia & the Pacific •Ban Chiang, a Prehistoric Village Site in Northeast Thailand, Volume 1: The Human Skeletal Remains •Mapping Mongolia: Situating Mongolia in the World from Geologic Time to the Present •Santa Cruz Island Figure Sculpture and Its Social and Ritual Contexts Middle East/Eurasia •Botanical Aspects of Environment and Economy at Gordion, Turkey •Exploring Iran: The Photography of Erich F. Schmidt, 1930-1940 •Gordion Seals and Sealings Individuals and Society •Prehistoric Hunter-Gatherers of the Baikal Region, Siberia Bioarchaeological Studies of Past Life Ways •Peoples and Crafts in Period IVB at Hasanlu, Iran Mesoamerica •Tikal Report 11: Map of the Ruins of Tikal, El Petén, Guatemala and Georeferenced Versions of the Maps Therein •The Artifacts of Tikal—Ornamental and Ceremonial Artifacts and Unworked Material Tikal, Report 27A •The Artifacts of Tikal—Utilitarian Artifacts and Unworked Material Tikal Report 27B •The Maya Vase Conservation Project •Settlement Archaeology at Quiriguá, Guatemala •Tikal Report 34, Part A: Additions and Alterations: A Commentary on the Architecture of the North Acropolis, Tikal, Guatemala •Tikal Report 37: Historical Archaeology at Tikal, Guatemala Europe •Dún Ailinne: Excavations at an Irish Royal Site, 1968-1975 •Etruscan Myth, Sacred History, and Legend •Reports on the Vrokastro Area, Eastern Crete, Volume 2: The Settlement History of the Vrokastro Area and Related Studies •Reports on the Vrokastro Area, Eastern Crete, Volume 3 The Vrokastro Regional Survey Project, Sites and Pottery

More Information: http://artdaily.com/news/63985/The-Penn-Museum-expands-digital-access-to-its-collections-and-research-projects#.UfNY221vaSo[/url]
Copyright © artdaily.org
Maya Chama Cup, Guatemala, from The Maya Vase Conservation Project (Lynn A. Grant, 2006). PHILADELPHIA, PA.- As a repository of wide-ranging, international collections, original field notes and archival data from roughly 300 archaeological and anthropological expeditions around the world, the Penn Museum in Philadelphia is committed to open, global, digital access for scholars and the public. In 2012, celebrating the Museum's 125th anniversary, the Penn Museum launched two online projects to expand access to its collections and share information about its research history: the online Collections Database and interactive Research Map and Timeline. While those projects continue to grow, the Museum has partnered with Digital Antiquity to further expand research data access to scholars. Increased Data, Accessibility on www.penn.museum Launched in January 2012, the online Collections Database has gradually expanded over the past 18 months with a wealth of additional content. It now contains more than 332,851 object records representing 692,850 objects, and more than 90,000 images illustrating 34,067 object records. In addition to the growth in available data, the functionality of the online interface has also been improved, allowing more refined searching and browsing of the Museum’s collections, and—new this month—the ability for online visitors to download the Museum’s collections metadata to sort, study, and use it to suit their own research interests under a CC BY 3.0 Creative Commons license. Launched in December 2012, the interactive Research Map and Timeline highlights many of the Museum's research projects since its founding in 1887. Initially, showcasing 125 projects (commemorating the Museum’s 125th anniversary on December 6, 2012), the interactive website has now grown to include 267 research projects. New Partnership with Digital Antiquity Expands Scholarly Access Finally, in another recent expansion of scholarly access, the Penn Museum has partnered with Digital Antiquity—a collaborative non-profit organization devoted to enhancing preservation of and access to irreplaceable archaeological records and data—to provide free, open access to supplementary material from 19 books previously published by the Museum since 2000. This supplementary material—archaeological data sets, color images, and original field reports from scholarly expeditions—is now available online at tDAR—The Digital Archaeological Record—a unique digital repository for archaeological data. Previously provided on CDs or DVDs in the back of the Museum’s research publications, these supplementary materials are now available for download free of charge by registered tDAR users. Since tDAR’s content is indexed by major search engines, this collaboration exposes the Museum’s published digital content to searchers who may otherwise be unaware of these books and their associated digital media. The books themselves are available for purchase at the University of Pennsylvania Press (Penn Press) website. Supplementary materials are currently available for the following books: Asia & the Pacific •Ban Chiang, a Prehistoric Village Site in Northeast Thailand, Volume 1: The Human Skeletal Remains •Mapping Mongolia: Situating Mongolia in the World from Geologic Time to the Present •Santa Cruz Island Figure Sculpture and Its Social and Ritual Contexts Middle East/Eurasia •Botanical Aspects of Environment and Economy at Gordion, Turkey •Exploring Iran: The Photography of Erich F. Schmidt, 1930-1940 •Gordion Seals and Sealings Individuals and Society •Prehistoric Hunter-Gatherers of the Baikal Region, Siberia Bioarchaeological Studies of Past Life Ways •Peoples and Crafts in Period IVB at Hasanlu, Iran Mesoamerica •Tikal Report 11: Map of the Ruins of Tikal, El Petén, Guatemala and Georeferenced Versions of the Maps Therein •The Artifacts of Tikal—Ornamental and Ceremonial Artifacts and Unworked Material Tikal, Report 27A •The Artifacts of Tikal—Utilitarian Artifacts and Unworked Material Tikal Report 27B •The Maya Vase Conservation Project •Settlement Archaeology at Quiriguá, Guatemala •Tikal Report 34, Part A: Additions and Alterations: A Commentary on the Architecture of the North Acropolis, Tikal, Guatemala •Tikal Report 37: Historical Archaeology at Tikal, Guatemala Europe •Dún Ailinne: Excavations at an Irish Royal Site, 1968-1975 •Etruscan Myth, Sacred History, and Legend •Reports on the Vrokastro Area, Eastern Crete, Volume 2: The Settlement History of the Vrokastro Area and Related Studies •Reports on the Vrokastro Area, Eastern Crete, Volume 3 The Vrokastro Regional Survey Project, Sites and Pottery

More Information: http://artdaily.com/news/63985/The-Penn-Museum-expands-digital-access-to-its-collections-and-research-projects#.UfNY221vaSo[/url]
Copyright © artdaily.org
Maya Chama Cup, Guatemala, from The Maya Vase Conservation Project (Lynn A. Grant, 2006). PHILADELPHIA, PA.- As a repository of wide-ranging, international collections, original field notes and archival data from roughly 300 archaeological and anthropological expeditions around the world, the Penn Museum in Philadelphia is committed to open, global, digital access for scholars and the public. In 2012, celebrating the Museum's 125th anniversary, the Penn Museum launched two online projects to expand access to its collections and share information about its research history: the online Collections Database and interactive Research Map and Timeline. While those projects continue to grow, the Museum has partnered with Digital Antiquity to further expand research data access to scholars. Increased Data, Accessibility on www.penn.museum Launched in January 2012, the online Collections Database has gradually expanded over the past 18 months with a wealth of additional content. It now contains more than 332,851 object records representing 692,850 objects, and more than 90,000 images illustrating 34,067 object records. In addition to the growth in available data, the functionality of the online interface has also been improved, allowing more refined searching and browsing of the Museum’s collections, and—new this month—the ability for online visitors to download the Museum’s collections metadata to sort, study, and use it to suit their own research interests under a CC BY 3.0 Creative Commons license. Launched in December 2012, the interactive Research Map and Timeline highlights many of the Museum's research projects since its founding in 1887. Initially, showcasing 125 projects (commemorating the Museum’s 125th anniversary on December 6, 2012), the interactive website has now grown to include 267 research projects. New Partnership with Digital Antiquity Expands Scholarly Access Finally, in another recent expansion of scholarly access, the Penn Museum has partnered with Digital Antiquity—a collaborative non-profit organization devoted to enhancing preservation of and access to irreplaceable archaeological records and data—to provide free, open access to supplementary material from 19 books previously published by the Museum since 2000. This supplementary material—archaeological data sets, color images, and original field reports from scholarly expeditions—is now available online at tDAR—The Digital Archaeological Record—a unique digital repository for archaeological data. Previously provided on CDs or DVDs in the back of the Museum’s research publications, these supplementary materials are now available for download free of charge by registered tDAR users. Since tDAR’s content is indexed by major search engines, this collaboration exposes the Museum’s published digital content to searchers who may otherwise be unaware of these books and their associated digital media. The books themselves are available for purchase at the University of Pennsylvania Press (Penn Press) website. Supplementary materials are currently available for the following books: Asia & the Pacific •Ban Chiang, a Prehistoric Village Site in Northeast Thailand, Volume 1: The Human Skeletal Remains •Mapping Mongolia: Situating Mongolia in the World from Geologic Time to the Present •Santa Cruz Island Figure Sculpture and Its Social and Ritual Contexts Middle East/Eurasia •Botanical Aspects of Environment and Economy at Gordion, Turkey •Exploring Iran: The Photography of Erich F. Schmidt, 1930-1940 •Gordion Seals and Sealings Individuals and Society •Prehistoric Hunter-Gatherers of the Baikal Region, Siberia Bioarchaeological Studies of Past Life Ways •Peoples and Crafts in Period IVB at Hasanlu, Iran Mesoamerica •Tikal Report 11: Map of the Ruins of Tikal, El Petén, Guatemala and Georeferenced Versions of the Maps Therein •The Artifacts of Tikal—Ornamental and Ceremonial Artifacts and Unworked Material Tikal, Report 27A •The Artifacts of Tikal—Utilitarian Artifacts and Unworked Material Tikal Report 27B •The Maya Vase Conservation Project •Settlement Archaeology at Quiriguá, Guatemala •Tikal Report 34, Part A: Additions and Alterations: A Commentary on the Architecture of the North Acropolis, Tikal, Guatemala •Tikal Report 37: Historical Archaeology at Tikal, Guatemala Europe •Dún Ailinne: Excavations at an Irish Royal Site, 1968-1975 •Etruscan Myth, Sacred History, and Legend •Reports on the Vrokastro Area, Eastern Crete, Volume 2: The Settlement History of the Vrokastro Area and Related Studies •Reports on the Vrokastro Area, Eastern Crete, Volume 3 The Vrokastro Regional Survey Project, Sites and Pottery

More Information: http://artdaily.com/news/63985/The-Penn-Museum-expands-digital-access-to-its-collections-and-research-projects#.UfNY221vaSo[/url]
Copyright © artdaily.org

miércoles, 17 de julio de 2013

Después de varios años de esfuerzo, el navegador Mozila Firefox para Maya Hablantes



Después de varios años de esfuerzo, el navegador Mozila Firefox actualiza su funcionamiento para Maya Hablantes y lenguas tradicionales nativas Mesoamericanas

 Es un esfuerzo conjunto en el cual se ha logrado el introducir lenguas no solo Mayas sino Chatino, Mixteco, Náhuatl clásico, Nahuatl de la sierra norte de Puebla, Nguiba, Purépecha, Otomí, Rarámuri, Tenek,   Wixárika, Yáqui, Zapoteco Diiste´, Zapoteco Xhidza, Kichwa. 

Y esperemos con el esfuerzo conjunto se agreguen más lenguas progresivamente para que los hablantes nativos y hablantes nuevos tengan las mismas oportunidades y una voz para el mundo.

Las lenguas Mayas son las siguientes:

Maaya "Yucateco", Ch´ol, Kaqchikel, q´eqchi´, Tojolabal, Tseltal, Tsotsil


Áantajnakech a sut Firefox

Mozilla Firefox ich maaya
Firefox beeta'an tumen Mozilla, jun múuch' yóok'olkabil máako'ob ku múul meyajo'ob ti'al u p'áatal je'ek'abil Web, ti'al tuláakal máak yéetel ti'al ka'a meyjanak ti’ je'el máaxake'.




Mozilla Firefox en ch'ol.

Firefox meelbyl y cháan Mozilla, jump'eel p'éejty leel lum'al jopolonla tyi e'tyel ch'an ja'mäl jiñi Web, tyi pe'tälen mulawil.





Mozilla Firefox en Tojolabal



Mozilla Firefox en Tseltal



Mozilla Firefox en Tsotsil



Mozilla Firefox en Kaqchikel



Mozilla Firefox en Q´ueqchi´






jueves, 11 de julio de 2013

BAKTÚN, Primera Novela en Maya subtitulada al español dará voz a la cultura indígena




Este 15 de Julio saldrá al aire  BAKTÚN, La primera Novela hablada en Maya subtitulada al español buscará el promover la cultura y sus raíces reflejadas en la modernidad en televisión pública de Quintana Roo, México, dirigida por el director Bruno Cárcamo Arvide.

El objetivo del director era crear un espectáculo que sea entretenido lo suficiente para cautivar a una audiencia local y extranjera, mientras se educa acerca de la cultura Maya y la preservación de su lengua indígena.

La serie narra la historia de Jacinto, un joven maya que emigra a Estados Unidos, a quien el director describe como "un chavo (joven) maya que al final termina siendo un maya que se viste de forma tradicional, que habla maya, que tiene sus tradiciones y su cultura pero a la vez usa Twitter, vive en Nueva York y habla inglés".

Como la mayoría de las telenovelas, la serie se centra en torno drama romántico. La diferencia con "Baktun" es la cultura maya es su telón de fondo.

Hay que mostrar "cómo debe ser un maya en este mundo globalizado de internet, redes sociales, Twitter para mantener su cultura y poder ser parte de la aldea global; eso es en esencia el génesis de Baktún", señala el cineasta, quien no pertenece a esa etnia.

Jacinto es interpretado por Hilario Chi Canul, quien adapta el guión en español al maya de la serie.
La historia de Jacinto y la referencia al calendario maya contenida en el palabra Baktún es una forma de recordar que el mundo maya tiene periodos cíclicos, que no necesariamente terminan de manera catastrófica como muchos creyeron que sucedería con Baktún 13 en 2012.

Hilario Chi Canul, fue exentrenador de diálogos para la película Apocalypto de Mel Gibson, ahora es protagonista de la telenovela y, como asesor de producción, responsable de la eliminación de los 300 besos, describió una vez el gran problema que pretende combatir Baktun: “La lengua maya se duerme a partir de las seis de la tarde, cuando se prende la televisión y la gente se pone a ver novelas en castellano”.
 

Baktún 13, una estela maya que anunciaba el fin de una era y el inicio de otra para el 21 de diciembre de 2012, fue interpretada por muchos como un anuncio del fin del mundo, lo que fue aprovechado por la industria del cine y el turismo.

La telenovela tiene 21 capítulos y fue financiada por el gobierno de Quintana Roo, de acuerdo con información del Sistema Quintanarroense de Comunicación Social (SQCS).

TV 7+ transmitió antes dos series cortas habladas completamente en maya: Jaaj T´aan (palabra verdadera) y Ku ya´alik (Él dice). Ambas abordaban temas como la actualidad del mundo maya, música, costumbres y arte.




 
Empoderar una lengua por la televisión

Cárcamo, que se declara "apasionado de la cultura maya", dice que fue en la década de 2000 cuando entendió que si realmente "quería aportar algo para empoderar la lengua maya tenía que utilizar el medio de mayor penetración más grande de América Latina, que es la telenovela".

Un primer intento de Cárcamo fue Voces en extinción (2004), un documental que retrata grupos indígenas cuya lengua está en riesgo de perderse y después hizo Palabra verdadera, una revista documental sobre todos los aspectos de la cultura maya.

La telenovela fue presentada en el Museo de Antropología de la Ciudad de México y en varias salas de cine, así como en universidades de Perú y Bolivia.





Baktún fue realizada con unos 263,000 dólares y la intención es llegar no solo a la extensa comunidad maya de Yucatán sino también a audiencias de cualquier otro país.

"Toda la concepción del proyecto fue hecha con todo el rigor dramático" que requiere una telenovela para ganar audiencia, sostiene Cárcamo, que junto con su equipo efectuó el ritual de "toma del suput", una semilla para ayudar a afianzar la lengua.

México es uno de los países con mayor diversidad lingüística del mundo. Tiene más de 89 lenguas, habladas por seis millones de habitantes, según el Instituto Nacional de Estadística.

El maya es la segunda lengua indígena más hablada del país, (758,000 personas) pero expertos han alertado que corre el riesgo de desaparecer, junto a su milenaria cultura, en las próximas dos generaciones.

La mayor franja de población de hablantes del maya en la península de Yucatán tiene de 20 a 24 años, pero son justamente los que están debajo de este rango quienes han dejado de usarla, de acuerdo con el Instituto Nacional de Antropología e Historia (INAH).



fuente:CNN, vooxi

Codices Prehispánicos en edición 109 de Artes de México

Códices prehispánicos 

El artículo introductorio por Miguel León-Portilla, advierte que los códices hablan de “Las cosas divinas, humanas y naturales…” que vivieron nuestros antepasados. Para facilitar la comprensión de estos, el número  está dividido conforme a los grupos de culturas y/o regiones que representan los manuscritos:

1 Los códices mayas: Escrito por David Stuart, uno de los mejores epigrafistas del mundo maya que radica ahora en Austin Texas..


2. Los códices del Grupo Borgia:  Este es un grupo de códices muy bellos pero de difícil interpretación por su naturaleza adivinatoria y la incertidumbre de su proceder. El texto fue escrito por la reconocida Dra. Elizabeth Boone de la Universidad de Tulane.


3. Los códices mixtecos de Oaxaca: Relatan genealogías y epopeyas del Señor Ocho Venado, gobernante mixteco. Su autor, el Dr Manuel Hermann, ofrece por primera vez, una interpretación de la  vida de “Ocho Venado”, basada únicamente en  la lectura de los códices.


4.  Los códices del Centro de México que marcan la transición de los prehispánicos a los coloniales. El Dr Xavier Noguez eligió tres códices para hablar de ello desde varios puntos de vista: el Borbónico, la Tira de la Peregrinación y la Matrícula de Tributos . 


5. Por último, tenemos un innovador artículo, escrito por el Dr. Johannes Neurath, que nos invita a entender hoy el uso ritual de los códices a través de sus imágenes.

Los códices prehispánicos son complejas obras pictóricas que relatan en un solo enunciado visual el universo de los dioses, el destino de los hombres, los fenómenos naturales, los descubrimientos astronómicos y la historia de los pueblos. Encuadernados en forma de acordeón, solamente se conservan alrededor de veinte ejemplares y la mayoría se encuentra en el extranjero. En estas páginas nos acercamos a través de ellos, desde una perspectiva estética, a las formas de vida prehispánicas de los mayas, mixtecos y mexicas

------------------------------------------------------------------------------

 Pre-hispanic Codices


The introductory article by Miguel Leon-Portilla, warns that the codices speak of "Things divine, human and natural ..." which our ancestors lived. To facilitate understanding of these, the number is divided according to cultural groups and / or regions that represent the manuscripts:



1. Mayan codices: Written by David Stuart, one of the world's best Mayan epigraphers now resides in Austin Texas .

2.The Borgia Group: This is a very beautiful group of codices but difficult to interpret in nature divination and uncertainty for its action. The text was written by the renowned Dr. Elizabeth Boone Tulane University.


3. Oaxaca Mixtec codices: Relate genealogies and epics of Lord Eight Deer, Mixtec ruler. Its author, Dr Manuel Hermann, provides for the first time, an interpretation of the life of "Eight Deer" based solely on reading the codices.


4. The codices Mexico Center that mark the transition from the colonial prehispanic. Dr Xavier Noguez chose three codices to discuss it from several points of view: the Bourbon, the Pilgrimage Strip and Registration of Taxes.


5. Finally, we have a groundbreaking article, written by Dr. Johannes Neurath, who invites us to understand today the ritual use of the codices through their images. 5. Finally, we have a groundbreaking article, written by Dr. Johannes Neurath, who invites us to understand today the ritual use of the codices through their images. 


The painter-scribes of the pre-Hispanic codices, the “tlacuilos”, could dialogue with their heart, producing unique works of art that revealed their perception of daily life, sacred matters, time, nature and their gods. This pictorial art is one of many important and interconnected art forms passed down to us from the cultures that existed before the Spaniards’ arrival