sábado, 24 de agosto de 2013

Prohíben en Honduras escultura maya del Dios del Maíz por “Diabólica”



El alcalde de Danlí, José Urrutia, prohibió la colocación en el parque de esa ciudad hondureña de una escultura del Dios del Maíz (Yum Kaax), uno de los dioses de la cultura maya, por considerarla una “figura diabólica”.
 
El artista Johnny Mac Donald dijo a Notimex que fue contratado por el Fondo Hondureño de Inversión Social (FHIS) para hacer una escultura de Yum Kaax que sería instalada en el parque de Danlí durante la celebración del primer Festival Internacional del Maíz.

Las celebraciones en Danlí, un lugar paradisiaco ubicado en el departamento de El Paraíso a 98 kilómetros de Tegucigalpa y cuyo nombre deriva de la voz mexicana “Talli” o “Xalli” que significa “agua que corre por un lecho de arena”, comenzaron el viernes y habrá diferentes actividades hasta el domingo 31 de agosto.

El monumento es de metal y mide dos metros 80 centímetros y hecho de tornillos, tuercas y otras piezas que dan vida a un joven con mazorcas de maíz sobre la cabeza, que era para los mayas la abundancia en la agricultura.

“Sorpresivamente las autoridades municipales de Danlí tildan a nuestros ancestros de satánicos, mientras en otros países como Guatemala o México hay orgullo por el arte, su cultura, pero para Honduras ésto es retroceso”, señaló Mac Donald.

Añadió que el maíz, al igual que en México, es la dieta diaria de los pueblos centroamericanos, del cual se hacen tortillas, tamales, tacos, sopas, atole, chicha (cerveza indígena) y rosquillas, entre otras delicias culinarias.

“Creo que la actitud de este alcalde esta vinculada con ser miembro de una congregación evangélica, que rechaza la cultura maya, porque para ellos sólo hay un Dios, y por ello el cree que vive en la edad media y no en el siglo XXI”, señaló el artista.

Mac Donald, de 36 años, recibió a los 11 años por ser considerado un “niño prodigio” la “Hoja de Liquidambar”, máxima presea que otorga periódicamente la Alcaldía de Tegucigalpa a personas que destacan en el arte y otras ramas.

A sus 13 años, siendo estudiante de la Escuela Nacional de Bellas Artes, representó a Honduras en la Cuarta Asamblea General de Niños Bandera de la Paz, que se celebró en Sofía, Bulgaria.
Su arte está al servicio de los derechos humanos como escultor y pintor de monumentos de organizaciones como el Comité de Familiares y Desaparecidos (COFADEH).

Para el COFADEH ha pintado murales y ha tallado esculturas de los dirigentes populares, alrededor de 184 que fueron secuestrados y desaparecidos en este país en los años 1980.
Este artista es considerado el pionero del arte público porque sus esculturas están diseminadas en diversos parques de las ciudades del país.

En Tegucigalpa destaca una de metal dedicada a las barrenderas que limpian desde tempranas horas de la mañana las calles de la capital, devengando apenas 100 dólares mensuales.


Fuente: Notimex

miércoles, 7 de agosto de 2013

Giant Maya Carvings Found in Guatemala


Photograph courtesy Alexandre Tokovinine, CMHI/Harvard/Proyecto Aqueologico Holmul

Local King?

This photo mosaic of the recently unearthed Maya frieze in the city of Holmul was digitally stitched together from hundreds of high-resolution photos by team member Alexandre Tokovinine, a Maya epigrapher at Harvard University.


The frieze depicts three human figures wearing elaborate bird headdresses and jade jewelry. They are seated cross-legged over the head of a Maya mountain spirit. A cartouche on their headdresses identifies each of them by name. The central figure's name is the only readable one: Och Chan Yopaat, meaning "the storm god enters the sky."


Estrada-Belli and his team speculate that Och Chan Yopaat may have been the leader that the Naranjo king, Ajwosaj, established as the ruler of Holmul after wresting the city back from the Tikal dynasty.

Stuart, of the University of Texas, said he agreed with this interpretation. "This frieze features a ruler we've never seen before in the historical records," he said. "He's the one portrayed in the center, and it's reasonable to guess he was a local ruler of Holmul, and an ally with the more powerful kingdom of Naranjo to the south, which in turn had its political connections to the [Kaanul kingdom]."



Photograph courtesy Francisco Estrada-Belli

Royal Emblem

This close-up view shows a large hieroglyphic emblem that decorates the side of the building where the Maya frieze was discovered.

The emblem identifies the building as a royal lineage house that was probably dedicated to local rulers who were worshipped in the city as gods, Estrada-Belli explained.




 Photograph courtesy Francisco Estrada-Belli


Ritual Inscription

A detail of the section of the inscription that runs along the base of the frieze is shown in this photograph.
The message includes an unusual Maya verb that means "he put in order," followed by the name of an obscure deity that Estrada-Belli and his team speculate was a local patron god associated with the Kaanul dynasty.

"This inscription tells us that there were a number of rituals involved in reestablishing the [Kaanul-affiliated dynasty in Holmul]," Estrada-Belli said.
"The verb 'to put in order' seems to indicate that a number of gods, and especially local patron gods, were reestablished after previously being deposed by [the Tikal] dynasty."

It wasn't uncommon for Maya city-states to "capture" the local gods of those they conquered, explained Tulane University's Canuto.
It was a way of saying, "I hold your patron deity in my hand, so you do what I say."



 Photograph courtesy Francisco Estrada-Belli

Sacred Offering

 An ancestral deity holds a sign in both hands that reads naaah waaj, or "first tamale"—a reference to a sacred food offering—in this view of the south side of the frieze.

Visible behind him is the head of a large feathered serpent. Scrolls on the body of the serpent identify it as a sacred spirit emanating from the mouth of the mountain, the birthplace of the ancestral figures of the Homul dynasty, Estrada-Belli explained.



 Photograph courtesy Jesus Lopez

Ancient Burial

Estrada-Belli carefully brushes debris from an adult male skeleton of a member of the ruling class of Holmul. The body was buried in a tomb beneath the steps leading to the building that contained the frieze.


The Maya routinely built newer structures upon the remains of older ones, both as a way to save time—since the foundations were already in place—and to preserve a sense of continuity of purpose, Canuto explained.


"Buildings were places where things happened—where people were buried and rituals were conducted—so they gained a sense of sacredness that was special and had to be preserved," he said. "So subsequent buildings might have been later expressions of those same rituals."
The skeleton and his associated ceramic offering were preserved by large limestone slabs that kept the tomb free of debris. His incisor and canine teeth had been drilled and filled with jade beads. The decayed remains of a wooden mask were found on his chest.

"While we can't be certain of the identity of this individual, the frieze and inscription provide many possible names and a ton of historical information associated with him," Estrada-Belli said.




 Photograph courtesy Francisco Estrada-Belli

Big Discovery

 Archaeologist Anya Shetler cleans an inscription below an ancient stucco frieze recently unearthed in the buried Maya city of Holmul in the Peten region of Guatemala. Sunlight from a tunnel entrance highlights the carved legs of a ruler sitting atop the head of a Maya mountain spirit.

The enormous frieze—which measures 26 feet by nearly 7 feet (8 meters by 2 meters)—depicts human figures in a mythological setting, suggesting these may be deified rulers. It was discovered in July in the buried foundations of a rectangular pyramid in Holmul.


Maya archaeologist Francisco Estrada-Belli and his team were excavating a tunnel left open by looters when they happened upon the frieze. "The looters had come close to it, but they hadn't seen it," Estrada-Belli said.
According to Estrada-Belli, the frieze is one of the best preserved examples of its kind. "It's 95 percent preserved. There's only one corner that's not well preserved because it's too close to the surface, but the rest of it isn't missing any parts," said Estrada-Belli, who is affiliated with Tulane University, Boston University, and the American Museum of Natural History and who is also a National Geographic Explorer. His excavations at Holmul were supported by the National Geographic Society/Waitt Grants Program.

Maya archaeologist Marcello Canuto agreed, calling the frieze "amazingly and beautifully preserved."
"We often dream of finding things this well preserved, and Francisco did it," said Canuto, who is the director of the Middle American Research Institute at Tulane University in New Orleans; he was not involved in the project.

For example, despite being mostly faded away now, traces of red, blue, green, and yellow paint are still visible on the frieze.

"It gives you an idea of how intricate and ornate these sites that we are excavating must have been during their apogee," Canuto said. "These sites must have been a feast for the eyes when they were inhabited."

David Stuart, a Maya hieroglyph expert at the University of Texas at Austin, pointed out that archaeologists think most large Maya temples were probably decorated with similar sorts of designs.

"But not all temples were so carefully buried and preserved like this," said Stuart, who did not participate in the project. "Also, each temple facade was slightly different and therefore unique in terms of its detail and message." (Explore an interactive map of key Maya sites .)


Caught Between Two Great Powers

The section of the temple at Holmul where the frieze was found dates back to about A.D. 590, which corresponds to the Maya classical era, a period defined by the power struggles between two major Maya dynasties: Tikal and Kaanul.

The two kingdoms competed with one another for resources and for control of other, smaller Maya city-states. Until now, however, it had been unclear which dynasty Holmul owed its allegiance to, but an inscription on the newly discovered frieze reveals that the temple was commissioned by Ajwosaj, ruler of a neighboring city-state called Naranjo, which archaeologists know from other discoveries was a vassal city of the Kaanul kingdom.

"We now know that Holmul was under the influence of the Kaanul dynasty," Canuto said.
In 2012, Canuto's team found and deciphered a series of hieroglyphically inscribed panels at another Maya city of a similar size to Holmul, called La Corona, which was also under the patronage of the Kaanul kingdom.

Recent discoveries at sites like La Corona and Holmul are helping reveal how these sites, despite being relatively small compared with some of their neighbors, were important players on the region's larger geopolitical stage.


"We're now beginning to appreciate how all these hierarchical levels of sites were involved in a larger political game that put them on [the side of either Tikal or Kaanul]," Canuto explained. (See "Why the Maya Fell.")

All About Location

Why was Holmul—a minor city that was home to only 10,000 to 20,000 people—so important to the Tikal and Kaanul dynasties?
Previous work by Estrada-Belli suggests Holmul occupied a strategic position for both kingdoms. The city lay along the best east-west route between the Tikal dynasty's capital city, also called Tikal, and the coast. It also lay along a north-south route between the Kaanul capital city of Dzibanche and the Guatemalan highlands that did not pass through Tikal territory.
The Guatemalan highlands contained precious resources such as basalt, obsidian, and jade that were coveted by both kingdoms.

"A [Maya] king without jade was no king at all," Canuto said.
By controlling Holmul in the east and La Corona in the west, the Kaanul dynasty was able to effectively access these riches without going through the capital city of its rival.


Staying Put for Now

The frieze still lies buried in Holmul where it was initially discovered because it is too big to move, said lead archaeologist Estrada-Belli.
"We're going to try to preserve it and create a stable environment around it so people can eventually visit it," he said.

"We're very concerned about its present condition, so we had to re-bury the entrance tunnel to keep the humidity and climate around it stable."
The find is exciting readers around the web. @JalilCan tweeted, "I keep seeing "Ancient Maya Carvings found..." these Archaeologists NEED TO LEAVE STUFF FOR PEOPLE LIKE ME TO FIND."
Other tweeters talked up the struggle between Maya powers hinted at in the frieze, while others remarked at how the carvings used to be brightly colored.

—Ker Than

 Source: National Geographic